Joint review: The Lorax and Brave

Date written: September 14th

Target Audience: from older kids to young adults (people who may want to watch The Lorax and/or Brave)

Possible place of publication: a newspaper, magazine, or review website

Amongst the thrilling science fiction movies, primarily The Hunger Games and The Amazing Spiderman, playing on the screens this summer, were two cheerful animations; The Lorax and Brave. With the rush to go see the other two incredibly hyped action films, these two colorful Universal Pictures and Walt Disney films, respectively, were almost forgotten. However, their popularity was still high enough on the ladder for me and a couple friends to go see it. The Lorax worked as a cute story somewhat following the storyline that Dr. Seuss wrote, but Brave had more mixed reviews. Nevertheless, both left me feeling a little surprised but not disappointed.

The Lorax doesn’t include much to satisfy the action/adventure fanatics, unless you count the main character Ted’s tedious motorcycle-driving maneuvers. The story is perky, disputably loyal to the original book version, interesting, funny, and capturing. It doesn’t lack anything for the people who enjoy this type of movie – laid back, light humor, and a vibrant “fairytale”-like story with a subtle moral.

That being said, the “cutesy” animation style of this film causes a considerable loss of the original story’s moral, that is: the environmental damage that follows poor decisions and forethought. My praise for this movie was said regarding the entertainment value, especially for kids, however, I’m a little doubtful if this is the best story to present in such a style. The romance and childlike comedy that was added to the narration certainly did provoke laughs, but at the same time it removed most of the deep significance that was supposed to accompany the tale.

Brave gives me a harder time searching for words to express my thoughts on it. One online review called it “A disappointment worth seeing” – I’m not sure if I would use quite those words to describe it, but I agree that it was overall an entertaining watch however not without a few frown-provoking details.

The whole style of the storytelling and tools it uses seems to be targeted to children; the lively narrative tone, the wide palate of quirky and emphatically expressed characters (particularly in the different suitors and leaders from the clans), the presentation tools of the plot – it appears to be made to be as interesting and captivating as possible, specifically to capture a young child’s attention.

Yet, fights break out numerous times over the movie and there is an act of violence, big or small, in practically every scene, and the movie makes it seem like the violence isn’t even a big deal. I heard many small children in the theatre whimpering in fear more than once at the brawling. I understand that this is a part of the barbaric background and setting of the story, but I don’t like how the movie is essentially sending out the message that such violence is normal, a part of everyday life, and totally okay.

Another thing is the immaturity of some moments in the movie; boogers, mooning, and armpit hair pulling are just a few examples. Is this how the media wants to raise kids to be? The message they send out with these movies gets repeated, and repeated, and repeated, and becomes a habit for real people.

But if you can look past those downsides, then the plot line is well paced, twists and challenges occur at comfortable intervals, the storytelling is captivating enough, frequent jokes provide comic relief without derailing the chain of events, and many storytelling devices are used to keep the movie interesting- not to forget the realistic presentation of the characters and the ever present scottish music and culture. The only thing I found wrong in the storyline were the plot holes; for example, how naive Merida was when visiting the witch. Oh yeah, just take the flask and let a loved one drink it without even bothering to wonder what’s in it. That’ll solve all your problems! Why does she even ask for that kind of potion in the first place? It doesn’t seem neither logical nor well thought out. The father’s ignorance when Merida is trying to stop him from going out with his huntsmen near the end is more believable, as he is of course filled with rage and desperation. But this wasn’t expressed as distinctly as it could have for optimal audience sentiment … like I said, the movie was made for a younger, less critical audience who is just looking for a fun movie to entertain.

Nonetheless, the approximate 1.5 hours spent at the theatre for each movie was not regretted. I do recommend watching these movies, perhaps as an uplifting weekend study break or just as a fun night out with friends.

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